Alan Parker’s movie ended up being centered on Pink Floyd’s effective rock record album of 1979.

Alan Parker’s film ended up being centered on Pink Floyd’s effective stone record of 1979. The cultish, downbeat re-imagining of this Pink Floyd record, a musical “free form movie” masterpiece – had been an extraordinary lineage into madness and insanity through a number of rambling music movie sections by burned-out and depressed stone singer Pink (Bob Geldorf) in a l . a . college accommodation. He had been mostly mindlessly watching television – he’d built a physical and metaphorical protective wall surface around himself following the loss of their dad as he experienced flashbacks of their life and attemptedto tear along the wall surface. Continue reading →